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CHAPTER XXVIII. "Must you really go, Geoffrey?—really?" asks Mona, miserably, looking the very personification of despair. She has asked the same question in the same tone ever since early dawn, and it is now four o'clock. "While you still lived? While I might be of some use to you? No!" says Mona, her eyes gleaming. "To myself I said, there will be time enough for that later on." Then, with a little dry sob, "There will be time to die later on.".

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"Yes, really. Horrid bore, isn't it?—but county dinners must be attended, and Nicholas will do nothing. Besides, it isn't fair to ask him just now, dear old fellow, when he has so much upon his mind." "You may compel him to murder you," she says, feverishly, "or, in your present mood, you may murder him. No, you shall not stir from this to-night." "I can't well get away before that, you know, as Wigley is a good way off. But I'll try all I know. And, after all," says Geoffrey, with a view to cheering her, "it isn't as bad as if I was ordered off somewhere for a week, is it?" When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered..